Cosmopolitan Memory in
Europe’s ‘Backwaters’ reconsiders the definitional relationships of ‘national character’ and ‘national heritage’ in the context of Western industrial modernity. Taking as a case study the Greek islands of Skiathos and Skopelos which served as cinematic locations for the blockbuster Mamma Mia! (2008), the book explores how national identity - once shaped by political, cultural and religious practices - can now be reduced to little more than an ideal, created and sold globally by Western industries such as tourism and film.
The book offers an alternative look at methodologies of mobility from the perspective of a researcher who has become a migrant, a traveler and a tourist to the country in which she was born and grew up. Tzanelli contends that the film encouraged the development of regional competitions that further enhanced the emotive potential of a Greek nationalist discourse that projects the blame for regional favouritism onto Western agents and the nation-state itself. It also takes into consideration the historical background of this controversy, which finds roots in the religious heritage of the South-eastern Mediterranean region – in particular, the notions of Byzantine Christianity which the Greeks used to set against the Islamic traditions of their Ottoman colonisers to affirm their European civility.
1. Ethnographic Fiction and Autobiographical 'Truth'
2. Orientalist Vision and the Carnivalesque of 'Revelations'
3. Foreground to Background: From Locality to 'Nation'
4. 'The Winner Takes it All': The Coming of Second Modernity
5. The Original Theft (and other treacherous religiosities)
6. Leviathan Revealed
CHAPTER-BY-CHAPTER SUMMARY: http://sites.google.com/site/rodanthisartsite/cosmopolitan-memory-i...
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